The works suggest a narrative world behind the portraits. On the one hand these works are a continuation of Van Veluw’s formal approach to self-portraiture, with their preoccupation for materiality, pattern and texture. Yet, at the same time, they are highly personal pieces as well. The repetitive structures seemingly express a ‘horror vacui’ and recall Van Veluw’s youth and his obsessive attempts to gain control over his life by controlling his surroundings. Dimly lit and dark in colour, the overriding tone of these pieces is claustrophobic and sombre, exuding a sense of loneliness.